The premise is that women should know more joy in their lives, but this hollow novel is a joyless chore.
Seattle divorcée hopes surf lessons will be a solution to her midlife crisis.
When they divorced, Jackie Laurens’s husband got the vacation house in Palm Springs and a hot young girlfriend. Jackie got the kids and a mega-dose of bitterness. She works as an interior designer, a job that requires her to coddle affluent clients during their outrageous shopping sprees. In her free time, Jackie and her friends gripe about their empty lives and the endless familial obligations that take up so much time. It’s a stretch to feel pity for this privileged crew of heavily caffeinated and flawlessly highlighted ladies. As she nears her 40th birthday, Jackie surmises that her existence is shallow and that she is owned by her possessions. The solution to her malaise is decidedly uninspired—on a quest to simplify her life and find true happiness she books a luxurious getaway to Hawaii. Her search leads her to Kai, a surf instructor. This surfer boy leads a life free from guilt and expectations. Kai provides Jackie with a little spiritual guidance and a lot of steamy sex. Jackie is drawn to his live-for-today philosophy. It doesn’t hurt that this feel-good guru happens to be smoking-hot and ten years younger. The two lovers carry on a long-distance romance that shocks Jackie’s friends and her ex-husband. Despite their disapproval, Jackie continues to see Kai—he makes her feel sexy, young and full of potential, but the impracticalities of the relationship eventually wear Jackie down. She talks a big game about embracing life, but she’s pitiful when it comes to putting her words into action. In the hands of Porter (The Frog Prince, not reviewed), the plight of the middle-aged woman is bleak. The book reads like a rough draft of a memoir, lacking polish and nuance. The ruminations of the heroine are monotonous and the ending is as subtle as a Lifetime made-for-TV movie.
The premise is that women should know more joy in their lives, but this hollow novel is a joyless chore.Pub Date: July 13, 2006
ISBN: 0-446-69726-5
Page Count: 368
Publisher: 5 Spot/Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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