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HORSE HEAVEN

Several horses here are given such names as Nureyev, Lorenzo de Medici, and Ivan Boesky. If one named Jane Smiley ever shows...

A fast-paced, fetchingly detailed, wide-angled view of the world of horse breeding-and-racing—and another lively illustration of Smiley's industrious literary work-ethic and gift for transmuting the products of her obviously extensive research into compelling fiction. 

The encyclopedic story—similar in structure and rhythm to such earlier Smiley successes as A Thousand Acres and the comic romp Moo—spans two years (1997–99) and various Kentucky, California, and foreign locales occupied and frequented by the performers, trainers, moneymen, and aficionados thrust together by their common passion for the sport of kings. West Coast multimillionaire Kyle Tompkins, for example, bankrolls the development of can't-miss racehorse Limitless, honed to competitive perfection by skilled trainer Farley Brown and Farley's ardent prot‚g‚e and assistant trainer Joy Gorham. Several other groupings of characters (human and animal) shed varying light—rather as in a Robert Altman film—on such rituals of the sport as auctioning horses, doctoring and “birthing” and betting on them, and, in several cases, seeking some form of ultimate communion or identification with them. Some of the more intriguing of Smiley’s many characters include adulterous Westchester County matron Rosalind Maybrick (and her petulant Jack Russell terrier Eileen), 60-ish free spirit Elizabeth Zada (who claims she can read horses' minds), preadolescent Audrey Schmidt (whose love for equine creatures may or may not stimulate similar feelings for teenaged jockey Roberto Acevedo, and—in the neatest surprise—veteran gelding Justa Bob (to whose impulses and even thoughts we are made privy), whose excellent track record and stud-worthiness fortuitously affect his life span. The anthropomorphism occasionally verges on feyness (“In reviewing his life after . . . [Justa Bob] developed a painful crack in his right hoof front wall . . . ). But there are few such missteps, and in general the story prances along right smartly. Several horses here are given such names as Nureyev, Lorenzo de Medici, and Ivan Boesky. If one named Jane Smiley ever shows up in the racing form, you might just want to bet the farm on her.

Pub Date: April 6, 2000

ISBN: 0-375-40600-X

Page Count: 576

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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