Less than fun and more than silly
A moose adds his own special culinary touches to the Passover Seder.
Paulie, a moose, or “moos-ician,” stops playing his guitar to do last-minute Passover shopping, during which he meets his friends, a rabbit and a hedgehog, who will be joining him. He adds some usual items to his cart such as grape juice and candles, then goes home to cook and set the table. His friends join him, including a skunk and a bear, but they notice that some food items are a little different from what they expected. The egg on the Seder plate is very large—from an ostrich. The salt water also has pepper in it. The charoset has apples and pine cones instead of apples and nuts. Parsley is replaced by grass, and the maror is a radish carved to look like a horse instead of horseradish. Finally, the lamb bone is a ball of wool from a lamb. Close…but….Searching for the afikomen adds drama and meaning to the evening celebration and makes it a happy Passover for the friends. Readers who are familiar with the spring holiday may find some of the antics amusing. Those who are new to it will likely be confused, particularly as a diagram of a Seder plate with the correct assemblage is not included to help orient them. The animals are all colorfully comic, however.
Less than fun and more than silly . (Picture book/religion. 3-5)Pub Date: Feb. 1, 2018
ISBN: 978-1-5124-2096-8
Page Count: 36
Publisher: Kar-Ben
Review Posted Online: Feb. 18, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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