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COME TO THE FAIRIES’ BALL

Out go the urgent invitations to a fairy extravaganza: “Don’t be late!” The result is a flurry of worry about what to wear. Focus slowly turns to a poor fairy that seems defeated by this perennial dilemma but gets help from some encouraging ants. Beautifully attired yet quite late, the lovely fairy is about to be turned away when the prince gallantly comes to her side. The tale, reminiscent of “Cinderella,” is unfortunately light on plot and seems more a vehicle for active wordplay and lush scenes of this fairy world than any real story. Lippincott’s richly detailed, earthy-hued watercolor illustrations will impress fairy fans with whimsical depictions of helpful animals and a diverse gathering of fairy folk. Yolen’s rhyming text, lively and peppered with words that tickle the tongue—“They trotted and trembled, / They waltzed, waddled, winged, / They hopped and gavotted, / They floated and flingged”—is more appropriate for a read-aloud than as a challenge for new readers. Those satisfied by lavish settings won’t mind the ephemeral story. (Picture book. 5-8)

Pub Date: Oct. 15, 2009

ISBN: 978-1-59078-646-8

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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