A simple tale that will have readers cheering.
A look into a bygone era of the circus through the life of an elephant.
Told mostly through the art, this tale follows a young elephant who is unceremoniously taken from their home and sold to the circus. They forge an unlikely friendship with a magician, who finds a way to put things right. Each page has one word that begins with ele—“ELEPHANT”: the young animal with their parent. “ELEPH-ATE”: The elephant is lured into a trap by bananas. “ELE-FATE”: the elephant is ensnared. The story does not shy away from the harsher aspects, such as the terror of the kidnapping, but readers also see the elephant’s joy as they befriend the magician and love and trust grow. The words are written in a beautiful script that evokes circus signs, and the text flows well when read aloud, though at times some of the invented words feel a bit clunky. The images are the stars of the show; rendered in gouache, they fill the pages, depicting both the drama of the circus acts and quieter moments as the elephant longs to return to their past life. The magician is light-skinned; circus performers and attendees are diverse. In an author’s note, Yolen describes the true story that inspired this book—in 1982, Broadway producer David Balding bought an orphaned baby elephant from Zimbabwe and created a circus for her. (This book was reviewed digitally.)
A simple tale that will have readers cheering. (Picture book. 4-7)Pub Date: May 17, 2022
ISBN: 978-1-4521-7681-9
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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