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GRUMBLES FROM THE TOWN

MOTHER-GOOSE VOICES WITH A TWIST

An inventive miss.

This quirky Mother Goose book turns convention on its head.

Each of the 14 selections contemporizes a traditional rhyme and pairs it with a rebuttal or an aside by a grumpy protagonist. The vegetarian princess in “Sing a Song of Sixpence” waxes poetic about freeing blackbirds while (inexplicably) dealing with “four-and-twenty cantaloupes / stashed inside my jeans.” Her grumpy maid, however, launches into an unwieldy tirade about avian-infested pies. “A bloke poked his head out the window. / King wants another pie! he cried. / I mumbled a few choice words, I did. / Who, I ask you, in their right mind / bakes pies of birds?” The double-page format facilitates the flow from reworked verse to denouement. Spoon is pleased with her rescue from fiddling cats and moon-leaping cows, and Plum rants against Jack Horner's skewering thumb. Matteson’s acrylic-and–colored-pencil illustrations on wood board smoothly incorporate racial diversity; Jack Horner is black, and King Cole and his daughter have light-brown skin and kinky hair. The artwork is lively and fanciful—Humpty rides a skateboard, and Miss Muffet’s plotting spider strums a banjo. However, the collection is in want of an audience. Rather than poems clearly written for children, this latest Yolen/Dotlich collaboration (Grumbles from the Forest, 2013) comes across as a creative-writing exercise. The original nursery rhymes and historical notes are appended (to the detriment of the new rhymes).

An inventive miss. (Picture book. 5-9)

Pub Date: Sept. 13, 2016

ISBN: 978-1-59078-922-3

Page Count: 40

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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ZILOT & OTHER IMPORTANT RHYMES

A lackluster collection of verse enlivened by a few bright spots.

Poems on various topics by the actor/screenwriter and his kids.

In collaboration with his now-grown children—particularly daughter Erin, who adds gently humorous vignettes and spot art to each entry—Bob Odenkirk, best known for his roles in Breaking Bad and Better Call Saul, dishes up a poetic hodgepodge that is notably loose jointed in the meter and rhyme departments. The story also too often veers from child-friendly subjects (bedtime-delaying tactics, sympathy for a dog with the zoomies) to writerly whines (“The be-all and end-all of perfection in scribbling, / no matter and no mind to any critical quibbling”). Some of the less-than-compelling lines describe how a “plane ride is an irony / with a strange and wondrous duplicity.” A few gems are buried in the bunch, however, like the comforting words offered to a bedroom monster and a frightened invisible friend, not to mention an invitation from little Willy Whimble, who lives in a tuna can but has a heart as “big as can be. / Come inside, / stay for dinner. / I’ll roast us a pea!” They’re hard to find, though. Notwithstanding nods to Calef Brown, Shel Silverstein, and other gifted wordsmiths in the acknowledgments, the wordplay in general is as artificial as much of the writing: “I scratched, then I scrutched / and skrappled away, / scritching my itch with great / pan-a-ché…” Human figures are light-skinned throughout.

A lackluster collection of verse enlivened by a few bright spots. (Poetry. 6-8)

Pub Date: Oct. 10, 2023

ISBN: 9780316438506

Page Count: 160

Publisher: Little, Brown

Review Posted Online: Aug. 12, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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EMILE AND THE FIELD

A charming exploration of children’s special relationship with nature.

The story of a young Black boy who “fell in love with a field.”

The book opens with a peaceful scene of Emile sitting in a field overrun with wildflowers of various colors. This is his favorite haunt, where he and his little black dog spend countless hours undisturbed, daydreaming and communing with blossoms and insects. Emile—who often whispers lovingly to the field and regards it as a sentient companion—reflects on all the things the field will never get to experience. Although the field knows the four seasons and “how many stars / there were / and just how far,” it will never get to see the sea and skyscrapers. When winter comes and snow covers the field, Emile worries, wondering where the field goes when it disappears. And when some noisy children invade the field to sled and build snowpals, Emile hates that he has to share his beloved sanctuary, until his dad teaches him that love is not about possession but appreciation. Although some readers may pause at the unconventional punctuation, Young’s gentle, sparely worded narrative endearingly captures the animistic, magical thinking of children and the joy of tranquil childhood hours spent in nature. The impressionistic, atmospheric artwork—rendered in watercolor and ink—underscores the dreamy, spontaneous nature of Emile’s outdoor adventures and features open compositions that create a sense of expansiveness. All characters present Black except one White background character.

A charming exploration of children’s special relationship with nature. (Picture book. 5-8)

Pub Date: March 15, 2022

ISBN: 978-1-984850-42-3

Page Count: 32

Publisher: Make Me a World

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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