Another resounding success for this series.
A new dino-centered collaboration from Yolen and Teague is definitely a sweet treat.
In rhyming text, Yolen amuses by wondering how these trick-or-treating reptiles would carry their candy and speculating on some unwelcome behaviors (“Does he stomp on the pumpkins and throw around bits?” “Does she grab for more treats and then make a big mess?”) before asserting that dinosaurs would never! Encountering the dinos on a suburban street, diverse costumed kids initially look startled, then pleased when the creatures show they know the ropes. Cadence and clear language carry readers smoothly along to a message of loving reassurance. Teague depicts lesser-known genera, including Massospondylus, Jainosaurus, and Labocania. As in the other titles in this extensive and popular series, he combines accuracy with rampant imagination and artistic flair; the dinosaurs have authentic body shapes, but since we know little about what their skin or feathers looked like, he freely plays with pattern and color. Teague’s precise, hyperrealistic reptiles walk—or strut—upright. They sport swaths of lime green or electric blue and purple, their scales embellished with flamelike streaks, bands, stripes, dots, and studs. The gentle words, absurd humor, and elegant artwork remind readers about social norms. Children can see themselves in these books and will enjoy the unthreatening proximity to some scaly but fascinating prehistoric predators.
Another resounding success for this series. (Picture book. 4-8)Pub Date: July 2, 2024
ISBN: 978-1338891980
Page Count: 48
Publisher: Scholastic
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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