by Jane Yolen ; illustrated by Joëlle Dreidemy ‧ RELEASE DATE: Aug. 25, 2020
A barrel—or, rather, a barn—of laughs.
A cow comedian seeks out a willing audience for her signature knock-knock joke.
While the other cows in the barn graze on hay for breakfast, Daisy—known to the others as Interrupting Cow—begins her routine. “Knock, knock,” she says. “Who’s there?” they reply. And so the back-and-forth goes until Interrupting Cow interrupts “Interrupting Cow wh—” with a loud “MOO!” She falls “onto the barn floor in helpless giggles” while the other cows run away. She follows them, but the cows ignore her and refuse to play. So Interrupting Cow gives up and visits the duck pond instead. She tells her joke from start to finish, falling “backward into the water with helpless laughter” when she reaches the punchline “MOO!” But when Interrupting Cow recovers, the ducks are gone. The same thing happens with the horses, the chickens, the pigs, the goats, and even the lone donkey. What gives? Her joke isn’t that bad, is it? Yolen’s sidesplitting early-reader series opener cleverly personifies the misunderstood subject of the classic joke. (Interrupting Cow and the Chicken Crossing the Road is due out in December 2020.) Dreidemy’s full-color illustrations add to the hilarity with expressive cartoon character designs. With a total vocabulary of fewer than 200 words—including lots of synonyms—and at most nine lines per page, the text stays accessible to emerging readers. The most difficult word, “interrupting,” is even spelled out phonetically. (This book was reviewed digitally with 9-by-12-inch double-page spreads viewed at actual size.)
A barrel—or, rather, a barn—of laughs. (Early reader. 5-7)Pub Date: Aug. 25, 2020
ISBN: 978-1-5344-5424-8
Page Count: 32
Publisher: Simon Spotlight
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Jane Yolen ; illustrated by Joëlle Dreidemy
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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