Feathers and friendship make for a good pairing in this gentle ode to appreciating both.
When birds are easier to speak to than people, what do you do when you meet another bird lover?
It’s been a month, and Jon still hasn’t spoken to another kid his age since he moved to town. Still, while he may not talk much, he’s an excellent listener. He listens particularly to birds of all sorts, in the fields and the skies. One evening he hears a barred owl and imitates its song. Yet when he follows its response, he instead finds a girl and fellow bird lover named Janet. Together they talk and listen together, “for days and weeks, / and into the years.” While Yolen’s author’s note states that this book is a partner to her Caldecott Award winner Owl Moon (1987), illustrated by John Schoenherr, it might be more accurate to say it exists in the same universe. The story sets up a nice series of contrasts (Jon’s mother’s chattiness versus her son’s silence versus the give and take of Jon and Janet’s conversations). Meanwhile Wilson weaves images of birds into an array of panels. Delicious details also hide in the cracks of these pictures, like the images on a page opposite the author’s note depicting photographs of Jon and Janet growing older, marrying, and having children to bird with. Jon and his mother are light-skinned, and Janet presents Black. (This book was reviewed digitally.)
Feathers and friendship make for a good pairing in this gentle ode to appreciating both. (Picture book. 4-7)Pub Date: Nov. 8, 2022
ISBN: 978-1-951836-40-5
Page Count: 32
Publisher: Cameron Kids
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
PERSPECTIVES
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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