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WE CELEBRATE THE LIGHT

Luminous.

Yolen and Stemple honor the ways many cultures spread light, literally and figuratively, during the darkest days of the year.

Lyrical verse reflects on the commonalities shared by many traditions, while the illustrations highlight a diverse array of winter holidays. The juxtaposition of the universal and the specific embodies the book’s profound message: The ways we are different can unify us, and both our differences and our similarities are worth celebrating. Various groupings of family and friends observe Diwali, Winter Solstice, Christmas, Hanukkah, Kwanzaa, Bodhi Day, and Lunar New Year; amid the glow of rangolis, kinaras, lighted trees, menorahs, lanterns, and moonlight, they spend time with loved ones, decorate, sing, eat, and remember deceased ancestors. Unobtrusive footnotes provide a brief definition of each holiday, with longer descriptions in the backmatter explaining a few of the symbols and rituals. Rife with details for observant readers, the artwork sets a cozy tone, whether portraying families crowded round the kitchen table or outside by a roaring fire. The celebrants include people of many different ethnicities, abilities, and ages, and they gather in groups of various sizes and compositions. With its emphasis on inclusivity, this is an excellent choice for classrooms or libraries looking to discuss winter holidays.

Luminous. (Informational picture book. 4-8)

Pub Date: Oct. 8, 2024

ISBN: 9780593752296

Page Count: 32

Publisher: Rise x Penguin Workshop

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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OUR SUBWAY BABY

A delightful story of love and hope.

Families are formed everywhere—including large metropolitan mass-transit systems!

Baby Kevin, initially known as “Danny ACE Doe,” was found in the New York City’s 14th Street subway station, which serves the A-C-E lines, by one of his future fathers, Danny. Kevin’s other father, Pete (author Mercurio), serves as the narrator, explaining how the two men came to add the newborn to their family. Readers are given an abridged version of the story from Danny and Pete’s point of view as they work to formally adopt Kevin and bring him home in time for Christmas. The story excels at highlighting the determination of loving fathers while still including realistic moments of hesitation, doubt, and fear that occur for new and soon-to-be parents. The language is mindful of its audience (for example using “piggy banks” instead of “bank accounts” to discuss finances) while never patronizing young readers. Espinosa’s posterlike artwork—which presents the cleanest New York readers are ever likely to see—extends the text and makes use of unexpected angles to heighten emotional scenes and moments of urgency. The diversity of skin tones, ages, and faces (Danny and Pete both present white, and Kevin has light brown skin) befits the Big Apple. Family snapshots and a closing author’s note emphasize that the most important thing in any family is love. (This book was reviewed digitally with 11.3-by-18-inch double-page spreads viewed at 43% of actual size.)

A delightful story of love and hope. (Informational picture book. 5-8)

Pub Date: Sept. 15, 2020

ISBN: 978-0-525-42754-4

Page Count: 40

Publisher: Dial Books

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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