Glowing and warm, full of life.
Every winter, a mother and child plant a garden in their city apartment.
The child, who has pale skin and wavy dark hair, explains that when it snows, the two of them plant seeds in pots that line the windowsill of their home. Delicate watercolor, colored pencil, and mixed-media paintings show them selecting and planting the “teeny tiny / seeds like freckles / seeds like eyelashes / seeds like the wings of bees.” Meanwhile, outside, blues and purples blanket the warm glow of streetlights, and “the leafless trees are stark and dark. / The cars roll by in slushy rumbles.” One day, the seeds sprout in the yellow glow of light, and they grow fast. Soon, the whole family is eating lettuce leaves that “crunch like / tiny icicles in my mouth,” and “the parsley dusts the potatoes / like green snowflakes.” On each page, winter imagery, both visual and linguistic, is paired with references to growth and vibrancy—a juxtaposition that emphasizes the joy and wonder of life, as well as the loving care that is given and received among both people and plants. The family soon needs more seeds, and the child gets to choose them, plant them, and wait…for spring. Endnotes give instructions on growing a winter garden, and beautiful endpapers feature paintings of plants and leaves. (This book was reviewed digitally.)
Glowing and warm, full of life. (further reading) (Picture book. 3-8)Pub Date: Nov. 7, 2023
ISBN: 9780823451012
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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