by Janet Lawler ; illustrated by Anna Brown ‧ RELEASE DATE: Dec. 23, 2013
An admirable message delivered in a lackluster manner—pass.
Real love is expressed through the many seemingly small acts that take place every day.
Brown uses textured paper to create digital collages that show bear, bunny and fox families engaged in a wide range of activities. Usually, an older or bigger animal is helping or playing with a younger or smaller one. Occasionally, the younger ones assist one another, as in climbing a tree or untangling knotted fur. Playing hide–and-seek, applying a bandage, freeing a kite from a tree and tying shoelaces are some gestures of real love. Lawler, perhaps in an attempt to stay true to the rhyme structure, provides at least one singularly odd example: “Love plays lion in a crouch / and snuggles closer on the couch.” One side of the spread shows a young bunny about to pounce on the ball of yarn his mother is knitting from, while the next page features the two side by side with the little rabbit curled up under a blanket. In the end, the message is clear: “Love does all these little things / to fill your heart until it sings. / Love is real the whole day through. / It’s always there— // from me to you.” Although the art may charm the preschool set, the saccharine and singsong text fall flat.
An admirable message delivered in a lackluster manner—pass. (Picture book. 3-5)Pub Date: Dec. 23, 2013
ISBN: 978-0-06-224170-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Greg Pizzoli ; illustrated by Greg Pizzoli ‧ RELEASE DATE: April 19, 2016
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by Stephanie Stansbie ; illustrated by Richard Smythe ‧ RELEASE DATE: Dec. 3, 2019
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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