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MY LIFE AS A CARTOONIST

From the My Life as a… series , Vol. 3

This entertaining read leaves some provoking questions unanswered—usefully.

Cartoonist Derek grapples with a perplexing association between disability and bullying in this stand-alone sequel to My Life as a Book (2010) and My Life as a Stuntboy (2011).

Derek has two best friends at school and two beloved critters at home, including Frank, a capuchin monkey who’s practicing family life before training as a service animal. Frank’s the model for Derek’s comic, Super Frank. Drawing’s a fun challenge; reading’s a difficult chore, though the stick-figure cartoons with which Derek illustrates his vocabulary words enliven the margins. Each playful sketch portrays a word from the adjacent paragraph but in an amusingly different context—“ingenious” shows up as a cupcake machine. Derek’s life takes a turn for the worse when transfer-student Umberto targets him. Umberto steals Derek’s cartoon ideas and makes him a “verbal punching bag.” The bullying arc is fairly standard, but the bully isn’t, at least physically: Umberto uses a wheelchair. On one hand, Tashjian creates a real anti-stereotype in this speedy wheeling boy who could (and would) easily crush Derek with a lacrosse stick if teachers weren’t around. However, after the boys bond, Derek’s funny narrative voice (“Frank’s fur is now covered in a helmet of peanut butter”) indulges in a few adult-sounding, rose-colored disability clichés, saying that Umberto possesses “honesty and grace” and “inspires me.”

This entertaining read leaves some provoking questions unanswered—usefully. (Fiction. 9-12)

Pub Date: May 28, 2013

ISBN: 978-0-8050-9609-5

Page Count: 272

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: April 1, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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CLUES TO THE UNIVERSE

Charming, poignant, and thoughtfully woven.

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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