by Janet Tashjian ‧ RELEASE DATE: Nov. 1, 2001
Josh Swensen is a prodigy. At age two, he did algebraic equations with refrigerator magnets. His mother’s threats of “no science homework after dinner” were enough to keep his behavior in line. His first word, shouted from his car seat, was “FASTER!” Now a self-proclaimed rebel against consumer culture and a latter-day Thoreau, Josh has created Larry, his Internet alter ego with his own Web site, where Larry delivers sermons railing against the control of our lives by advertising companies and our “culture that worships people just for being famous.” Josh steals ads from his advertising-consultant stepfather’s briefcase, manipulates the images into anorexic Gap models, cigarette ad models hooked up to oxygen machines, and swooshes turned into swastikas, and puts them on the Web site. Following a fortuitous alliance with Bono and U2, and a Woodstock-like event called Larryfest, Larry takes on a life of his own. The festival draws hundreds of thousands of fellow pilgrims and spiritual seekers, and the Web site now can’t handle the 255 million hits it receives daily. Josh, through Larry, has become what he never intended to be—a celebrity—and he must find a way to pull the plug. Told in Josh’s first-person narrative laced with Larry’s sermons and photographs, the story accelerates with Larry’s rise as a cult leader. Tashjian’s inventive story is a thrilling read, fast-paced with much fast food for thought about our consumer-oriented pop culture. A parallel narrative about Beth, Josh’s childhood friend and secret love, works nicely, too. The voice is clear, the ending satisfying. Teenagers will eat this one up. (Fiction. YA)
Pub Date: Nov. 1, 2001
ISBN: 0-8050-6378-1
Page Count: 227
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
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by Janet Tashjian ; illustrated by Jake Tashjian
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by Janet Tashjian ; illustrated by Inga Wilmink
BOOK REVIEW
by Janet Tashjian ; illustrated by Laurie Keller
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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