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HURRY, KATE, OR YOU'LL BE LATE!

A tender snapshot of a loving daddy-daughter bond.

Some things are worth the wait.

Oh no! Kate is late for preschool! But why? No, it’s not because she requested chocolate milk at breakfast. It’s not because she and Daddy—both Black—stopped to greet neighbors or because she waved to the garbage trucks, the ambulance, and the cars. Using simple, repetitive prose, Harrington chronicles a variety of activities—buckling a child into a stroller, waiting for the bus—that will be familiar to parents and little ones making the daily trip to school. Periodically stating, “Kate was late for preschool,” the author discusses all the things the two did, all of which have nothing to do with Kate being late, before finally explaining her tardiness—Daddy pauses right before she goes in to give her a warm hug. This tale of a doting father taking his child to school is brightly illustrated in primary colors that pop off the page. Daddy’s affection for Kate comes through clearly, from a scene of him brushing her hair to a moment where he stoops to adjust her backpack and tie her shoe. Small book lovers are sure to respond to the joyful imagery as well as the lyrical bounce of the language. Daddy and Kate’s community is a diverse one. (This book was reviewed digitally.)

A tender snapshot of a loving daddy-daughter bond. (Picture book. 3-6)

Pub Date: April 25, 2023

ISBN: 978-0-8234-4510-3

Page Count: 32

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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