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A WORK IN PROGRESS

A successful marriage of art and poetry.

Will Chambers wrestles with fat stigma, self-loathing, disordered eating, and the ultimate desire to be accepted.

Lerner’s illustrated verse novel opens on Will’s fourth grade year. It’s the first time the word fat is hurled at him as an insult, the first time he understands that the rest of the world sees something wrong with his body. Three years later, shame-filled Will is eating less and less. It’s Markus, his kind, cool skateboarder friend, who helps Will when he eventually breaks and who is there as he works on piecing himself back together. Lerner uses the format to great effect, as the staccato lines of broken verse are well matched to Will’s honest, disjointed inner thoughts. The setup makes for an effective portrayal of Will’s painful mental battles. The black-and-white illustrations mostly depict Markus; Will’s crush, Jules, a skinny girl; and a prickly, monsterlike version of how Will sees himself. Peppered throughout are balls of black scribbles representing Will’s anxiety, fears, and the anger he directs at himself. The diary feel adds to readers’ understanding of Will. Lerner writes very affecting scenes that will resonate with some readers and provide insight for others, shedding powerful light on boys’ body image struggles. All characters appear White.

A successful marriage of art and poetry. (Verse fiction. 8-12)

Pub Date: May 2, 2023

ISBN: 9781665905152

Page Count: 368

Publisher: Aladdin

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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