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THE SHAPE OF THUNDER

Powerful and emotionally complex.

Two best friends haven’t spoken in the year since the tragedy that upended their lives.

Cora Hamed lives with her Lebanese father and White American maternal grandmother; her mother left years earlier. She is mourning the loss of her older sister, Mabel, who died in a school shooting. Quinn McCauley, who is White, is coping with the emotional fallout of her brother Parker’s life-changing actions. While Cora’s family grieves openly and makes sure she sees a therapist regularly, Quinn’s parents fight constantly over who is to blame for what Parker did. The story unfolds in chapters that alternate between the two girls’ viewpoints; Quinn’s chapters open with movingly honest letters to Parker. On Cora’s 12th birthday, she finds a box on her front porch: Quinn believes she has discovered a way to fix everything, but she needs Cora’s help. Eventually the two begin to work together on a time-travel project, seeking a wormhole that will allow them to travel back in time and prevent the shooting. Throughout, Quinn struggles with her guilt and a secret she’s keeping while Cora struggles with her last interaction with Mabel, wondering whether she can still be friends with Quinn, and understanding the Lebanese heritage she knows relatively little about but that shapes people’s perceptions of her. Both characters are well developed, and Warga skillfully handles both their delicate, emotional friendship and larger subjects of grief and gun violence.

Powerful and emotionally complex. (author's note, resources) (Fiction. 9-13)

Pub Date: May 11, 2021

ISBN: 978-0-06-295667-5

Page Count: 288

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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