by Jasminne Mendez ; illustrated by Flor De Vita ; translated by Adnaloy Espinosa ‧ RELEASE DATE: Oct. 31, 2021
A delicious treat.
Gather around with Josefina’s family for the best habichuelas con dulce.
When Mami suggests that Josefina give up her cherished sugary foods for Lent—a vow of 40 days and 40 nights—the young sweets lover initially balks at the idea. “I can’t give up sweets for that long!” School, of course, proves difficult to endure due to her nonobservant friends’ continued enjoyment of cookies, candies, and cupcakes. And all in front of Josefina! So Mami comes up with an idea: Josefina will help carry on the family tradition by learning how to make habichuelas con dulce (Josefina’s favorite dessert) for Easter. As Josefina and Mami prepare the beans, a doorbell rings. It’s Tía Yesenia, Tía Xiomara, and Abuela! Cooking habichuelas con dulce becomes a family affair, with a story from Abuela, lots of sugar and spices, and a whole lot of love. In her first picture book, Mendez wonderfully showcases the numerous ways that food brings Latinx—in this case, Dominican—families and communities together. Presented in both English and Spanish (via Espinosa’s translation), the author’s text forgoes flair for simple earnestness in a manner that highlights the book’s themes. Likewise, De Vita’s cozy pictures provide plenty of ideal images of family, with a diverse range of skin tones from light brown to dark brown. A stirring author’s note and a recipe for habichuelas con dulce wrap up a pretty sweet tale.
A delicious treat. (Picture book. 4-8)Pub Date: Oct. 31, 2021
ISBN: 978-1-55885-923-4
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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by Raquel M. Ortiz ; illustrated by Flor De Vita ; translated by Gabriela Baeza Ventura
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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More by Kimberly Dean
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by Kimberly Dean ; illustrated by James Dean
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by Joan Holub ; illustrated by James Dean
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