Chin introduces the world of old-growth redwood forests to young readers in this effective mix of fiction and nonfiction. Finding his own image on the cover of an abandoned book—this book, with metaliterary self-reference—an Asian-American boy scans it and is seamlessly swept into a stunning new watercolor world that juxtaposes a straightforward nonfiction text against fantastical images. A Roman Centurion and a toga-clad citizen flank him on the subway as he reads that redwoods “can live for more than 2,000 years.” Carrying the book as he walks through the forest, he learns about its growth patterns and its properties. He experiences the redwood’s ability to generate under-the-canopy rain and races ahead of a blaze while he reads about its ability to survive fire. The adventure intensifies when he springs into a climber’s harness, horizontal sequential panels allowing him to view the redwood’s inhabitants level by level. Rappelling down, he alights in a city park, where he leaves the book for another child to find. An inventive, eye-opening adventure. (author’s note) (Informational picture book. 6-8)
Pub Date: March 1, 2009
ISBN: 978-1-59643-430-1
Page Count: 40
Publisher: Flash Point/Roaring Brook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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