A glorious bundle of horror stories that readers will find entertaining and unnerving.
Parent offers tales of terrifying and potentially deadly happenings, set around the October 31st holiday.
In the opening story, “Russian Dollhouse,” high school freshman Kit reluctantly takes her younger brother trick-or-treating. Her mood brightens when she runs into Jordan, a sophomore she has a crush on. She’ll happily go anywhere with him, even if it means venturing inside an abandoned house, where other kids reputedly went missing decades ago. Unexpectedly, that house has new decorations for the holiday—almost as if it’s trying to draw in unsuspecting youth. All 10 of this book’s tales unfold on or near Halloween; some include trick-or-treaters, although not all of them are harmless kids. For example, Carlos in “Keeping Up Appearances” runs an armed crew that goes door-to-door and demands much more than candy. However, when they knock on the door of one especially odd family, they get a very unwelcome surprise. These somber tales cover other October happenings, as well, including Mischief Night (traditionally the night before Halloween) and a haunted hayride. The cast, too, ranges from naïve children and a candy-swiping eighth-grade bully to a spouse who’s starting to regret his illicit affair. The longest story, “Dia De Los Muertos,” is also the best, featuring a U.S. Army gunner Russell Thompkins who’s AWOL in Mexico. As locals celebrate the Day of the Dead, his post-traumatic stress disorder dredges up memories of a Taliban assault during his second tour in Afghanistan. What happened to him back then, and what’s been affecting him ever since, is truly unspeakable.
Over the course of these tales, Parent hits on several reliable horror tropes: Creepy houses stir up anxiety, the telling of scary stories begets more frightening realities, and trick-or-treat bags and pillowcases hold hidden terrors. The collection features several unlikable characters who arguably deserve their grisly fates, but there are just as many that will elicit reader sympathy. Eleven-year-old Danielle, for one, has an understandable fear of alligators in “A Not-So-Scary Halloween,” and a holiday in Orlando, Florida, with her relatives puts her on high alert. Most of the stories trek into grim territory and contain violent, often grotesque imagery with lots of chunky bits, spurting blood, and biting teeth. There’s humor in these tales, as well, but it’s of a dark variety that complements the horrific goings-on, as in “Pulp,” which follows a film club’s Halloween party that—for one teenager, at least—becomes a real-life horror movie. Overall, the book is a fun read, and horror fans will appreciate its numerous nods to classic genre films (some of the players even share names with famous directors, actors, and cinematic characters). Parent also skillfully generates suspense with deft descriptive passages, as in the story “Rain”: “Lightning flashed through the house, casting Dad’s shadow long and thin up the wall and over the ceiling. Thunder followed quickly, crashing so violently that it rattled the picture frames hanging on the wall, knocking one askew.”
A glorious bundle of horror stories that readers will find entertaining and unnerving.Pub Date: Sept. 24, 2024
ISBN: 9798336822137
Page Count: 244
Publisher: Corpus Press
Review Posted Online: Aug. 28, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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