MISCHIEF NIGHT MASSACRE

Parent offers tales of terrifying and potentially deadly happenings, set around the October 31st holiday.

In the opening story, “Russian Dollhouse,” high school freshman Kit reluctantly takes her younger brother trick-or-treating. Her mood brightens when she runs into Jordan, a sophomore she has a crush on. She’ll happily go anywhere with him, even if it means venturing inside an abandoned house, where other kids reputedly went missing decades ago. Unexpectedly, that house has new decorations for the holiday—almost as if it’s trying to draw in unsuspecting youth. All 10 of this book’s tales unfold on or near Halloween; some include trick-or-treaters, although not all of them are harmless kids. For example, Carlos in “Keeping Up Appearances” runs an armed crew that goes door-to-door and demands much more than candy. However, when they knock on the door of one especially odd family, they get a very unwelcome surprise. These somber tales cover other October happenings, as well, including Mischief Night (traditionally the night before Halloween) and a haunted hayride. The cast, too, ranges from naïve children and a candy-swiping eighth-grade bully to a spouse who’s starting to regret his illicit affair. The longest story, “Dia De Los Muertos,” is also the best, featuring a U.S. Army gunner Russell Thompkins who’s AWOL in Mexico. As locals celebrate the Day of the Dead, his post-traumatic stress disorder dredges up memories of a Taliban assault during his second tour in Afghanistan. What happened to him back then, and what’s been affecting him ever since, is truly unspeakable.

Over the course of these tales, Parent hits on several reliable horror tropes: Creepy houses stir up anxiety, the telling of scary stories begets more frightening realities, and trick-or-treat bags and pillowcases hold hidden terrors. The collection features several unlikable characters who arguably deserve their grisly fates, but there are just as many that will elicit reader sympathy. Eleven-year-old Danielle, for one, has an understandable fear of alligators in “A Not-So-Scary Halloween,” and a holiday in Orlando, Florida, with her relatives puts her on high alert. Most of the stories trek into grim territory and contain violent, often grotesque imagery with lots of chunky bits, spurting blood, and biting teeth. There’s humor in these tales, as well, but it’s of a dark variety that complements the horrific goings-on, as in “Pulp,” which follows a film club’s Halloween party that—for one teenager, at least—becomes a real-life horror movie. Overall, the book is a fun read, and horror fans will appreciate its numerous nods to classic genre films (some of the players even share names with famous directors, actors, and cinematic characters). Parent also skillfully generates suspense with deft descriptive passages, as in the story “Rain”: “Lightning flashed through the house, casting Dad’s shadow long and thin up the wall and over the ceiling. Thunder followed quickly, crashing so violently that it rattled the picture frames hanging on the wall, knocking one askew.”

A glorious bundle of horror stories that readers will find entertaining and unnerving.