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THE BOY IN THE BLACK SUIT

A vivid, satisfying and ultimately upbeat tale of grief, redemption and grace.

With his mother newly dead, a job in a funeral home somehow becomes the perfect way for Matthew to deal with his crushing grief.

Initially skeptical, he plans to use his early-release senior year program to work at a fried-chicken joint that’s staffed by an entrancing girl with whom he eventually develops a gentle, tenderly depicted relationship. But the funerals intrigue him and then become deeply satisfying; Matthew finds solace in seeing others experiencing his pain. Matthew’s neighbor, Mr. Ray, the funeral director with a sad back story, becomes almost a surrogate father when Matthew’s dad gets drunk and then has an accident. Matthew’s voice is authentic and perceptive as he navigates the initial months without his mom; he’s supported by a believable cast of fully fleshed-out characters. Occasionally, his language waxes poetic, as when he describes the sights and sounds of Brooklyn: “our cement world of trash cans blown into the street, stray cats begging, stoop sitters dressed in fresh sneakers smoking blunts in broad daylight, old ladies sweeping the sidewalk, tired nine-to-fivers walking slowly on the final stretch before home.” Reynolds writes with a gritty realism that beautifully captures the challenges—and rewards—of growing up in the inner city.

A vivid, satisfying and ultimately upbeat tale of grief, redemption and grace. (Fiction. 11-18)

Pub Date: Jan. 6, 2015

ISBN: 978-1-4424-5950-2

Page Count: 272

Publisher: Atheneum

Review Posted Online: Sept. 30, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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