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TWENTY-FOUR SECONDS FROM NOW. . .

A LOVE STORY

A warm, heartfelt, and fully engaging portrayal of teen love.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2024


  • New York Times Bestseller

Two high school seniors anticipate a big change in their relationship.

Neon Benton and Aria Wright have been a couple for two years. They’re planning to take a huge step in their relationship, and while they have a plan, Neon is battling a serious case of nerves. Fortunately, he’s close to his older sister, Nat, and leans on her for advice. He also finds himself reflecting on the journey that led the two of them to this moment—readers learn of Neon’s close ties with his no-nonsense mother, his affectionate, hardworking dad, and his grandmother (who’s still grieving the death of his grandfather). Aria’s family life is a bit more complicated, since she’s the only nonmusical household member, and her relationship with her mother is somewhat strained. Amid family, school, and yearbook club, moving toward more physical intimacy takes center stage for the Black teens. The fact that Aria will be heading away for college while Neon stays home to earn money for film school is another factor. Setting aside anticipation and apprehension, the couple have a bond that is clearly of paramount importance to them. This rich, tender story captures the range of emotions surrounding emerging love and what they mean in the lives of young people. Neon narrates with clarity, sensitivity, and humor. The wonderfully developed cast of characters (both adults and teens), lively language, and the clever flashbacks contribute to the freshness of the storytelling.

A warm, heartfelt, and fully engaging portrayal of teen love. (Romance. 14-18)

Pub Date: Oct. 8, 2024

ISBN: 9781665961271

Page Count: 256

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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