by Javier Calvo and translated by Mara Faye Lethem ‧ RELEASE DATE: March 1, 2009
A baffling, disappointing epic from an intriguing stylist.
Spanish author Calvo’s second novel, the first to be published in English, is a sprawling tale of sex, drugs, art thieves and family rivalries in modern-day Barcelona.
The heady mix of intellectual affairs and pop-culture absurdities, along with some questionable forays into metafiction, occasionally recalls David Foster Wallace’s Infinite Jest (1996). The plot loosely hangs on the moody frame of Lucas Giraut, an antiques dealer who’s in bed with Bocanegra, the seedy partner of his late father, to make a killing on some stolen Celtic paintings. He’s also doing battle with his mother, who’s making a play for the stock that Lucas owns in her husband’s firm; questioning the motivations of Bocanegra, who had a shady relationship with Giraut’s father and a Russian art thief; and managing an awkward relationship with his neighbor Valentina, a pubescent girl who has an unhealthy enthusiasm for Stephen King’s upcoming opus—which, incidentally, is also titled Wonderful World. Calvo’s novel includes excerpts from that book, in which a strangely perfect-seeming New World Order inevitably gives way to global panic, and that’s just one of many cultural references he tinkers with, from car ads to pop music (Bob Marley and Pink Floyd most prominently) to porn to X-Men comics to couture. But to what end? Calvo hints at apocalyptic themes throughout, and stray plot threads help give the story an end-of-days feel. But this novel about chaos is disconcertingly chaotic itself. The array of forgers, mobsters, cops, gallery owners and lawyers that Calvo introduces has verve, color and the occasional bit of bawdy humor, but little coherence. Irritatingly, that may be the intent: As the climax nears, Calvo riffs on the insincerity of plot and characterization. A chase scene, for instance, has “the atmosphere typical of the conclusion of a story.” It’s a tactic straight out of the postmodern playbook, but it’s no less a cop-out for that.
A baffling, disappointing epic from an intriguing stylist.Pub Date: March 1, 2009
ISBN: 978-0-06-155768-2
Page Count: 480
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
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by Javier Calvo ; translated by Mara Faye Lethem
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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