Next book

THE IMPOSTOR

A TRUE STORY

Though long and occasionally repetitive, this is a charged examination of a surpassingly strange matter and of the masks and...

Acclaimed Spanish novelist Cercas (The Blind Spot: An Essay on the Novel, 2018, etc.) looks deeply at the curious case of a man who wasn’t there.

Enric Marco (b. 1921), a Catalonian metalworker, became a cause célèbre first for having supposedly survived a Nazi concentration camp, for which he received medals and honors, and then for having been exposed for bending the facts to the point of breaking, apparently precisely in order to cash in on the fame. As Cercas digs into the story of this “swarthy, balding, thickset, burly, mustachioed gnome,” Marco moves from object of “moral disgust” to something at once more understandable and more mysterious. Yes, Marco, an anarchist who was on the losing side of the Spanish Civil War (“his memories of this farce, however, are scant and unclear”), did go to Germany during World War II—but apparently voluntarily, having joined a labor detachment for a decent wage. Yes, he did run afoul of the Nazis, but apparently for an ordinary crime. Yes, he was jailed briefly, but he did not do time in the concentration camps, as he attested. Other claims of having been a hero of the Resistance melt away, leaving Cercas with what novelist Mario Vargas Llosa, his friend, had divined at the beginning: “Don’t you get it? Marco is one of your characters!” Cercas ponders the case from every angle: Is it possible, he wonders, that even with the evasions and lies, Marco might tell us something truthful about the experience of fascism? Even though he “needed to be admired, to be a star,” might he not have something to say after all? Who doesn’t enjoy a little self-aggrandizing confabulation? The answers come slowly, deliberately, and certainly not definitively even as Marco transforms himself from man on the street to Holocaust survivor “just as, at a certain point, Alonso Quixano became Don Quixote.”

Though long and occasionally repetitive, this is a charged examination of a surpassingly strange matter and of the masks and fictions we construct.

Pub Date: Aug. 28, 2018

ISBN: 978-1-5247-3281-3

Page Count: 384

Publisher: Knopf

Review Posted Online: May 22, 2018

Kirkus Reviews Issue: June 15, 2018

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

Close Quickview