Though long and occasionally repetitive, this is a charged examination of a surpassingly strange matter and of the masks and...
Acclaimed Spanish novelist Cercas (The Blind Spot: An Essay on the Novel, 2018, etc.) looks deeply at the curious case of a man who wasn’t there.
Enric Marco (b. 1921), a Catalonian metalworker, became a cause célèbre first for having supposedly survived a Nazi concentration camp, for which he received medals and honors, and then for having been exposed for bending the facts to the point of breaking, apparently precisely in order to cash in on the fame. As Cercas digs into the story of this “swarthy, balding, thickset, burly, mustachioed gnome,” Marco moves from object of “moral disgust” to something at once more understandable and more mysterious. Yes, Marco, an anarchist who was on the losing side of the Spanish Civil War (“his memories of this farce, however, are scant and unclear”), did go to Germany during World War II—but apparently voluntarily, having joined a labor detachment for a decent wage. Yes, he did run afoul of the Nazis, but apparently for an ordinary crime. Yes, he was jailed briefly, but he did not do time in the concentration camps, as he attested. Other claims of having been a hero of the Resistance melt away, leaving Cercas with what novelist Mario Vargas Llosa, his friend, had divined at the beginning: “Don’t you get it? Marco is one of your characters!” Cercas ponders the case from every angle: Is it possible, he wonders, that even with the evasions and lies, Marco might tell us something truthful about the experience of fascism? Even though he “needed to be admired, to be a star,” might he not have something to say after all? Who doesn’t enjoy a little self-aggrandizing confabulation? The answers come slowly, deliberately, and certainly not definitively even as Marco transforms himself from man on the street to Holocaust survivor “just as, at a certain point, Alonso Quixano became Don Quixote.”
Though long and occasionally repetitive, this is a charged examination of a surpassingly strange matter and of the masks and fictions we construct.Pub Date: Aug. 28, 2018
ISBN: 978-1-5247-3281-3
Page Count: 384
Publisher: Knopf
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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