by Javier Marías ; translated by Margaret Jull Costa ‧ RELEASE DATE: Aug. 15, 2013
Blindingly intelligent, engagingly accessible—it seems there’s nothing Marías can’t make fiction do. No wonder he’s...
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National Book Critics Circle Finalist
An apparently random street murder sparks musings on shades of guilt and the mutability of truth in the distinguished Spanish writer’s latest (Your Face Tomorrow: Poison, Shadow, and Farewell, 2007, etc.).
For years, María Dolz has idealized Miguel Desvern and his wife, Luisa, as the perfect couple, basing this image on the loving interactions she observes at the Madrid cafe, where she has breakfast before heading to her job at a publishing house. (Marías pokes fun throughout at authors’ vanities and quirks.) After Miguel is stabbed to death by a deranged homeless man, María introduces herself to Luisa and through her meets Javier Díaz-Varela, a family friend devoted to helping the shattered widow rebuild her life. María and Javier embark on an affair, but when an overheard conversation reveals that Miguel’s death was not what it seems, the lovers engage in a long conversational fencing match. Did Miguel ask Javier to arrange his death because he had a horrible fatal disease? Or did Javier incite his best friend’s murder because he coveted his wife? As always with Marías, there are no definitive answers, only the exploration of provocative ideas in his trademark style: long, looping sentences (superbly translated by Costa) that mimic the stuttering starts and stops of a restless mind. It’s no accident that María’s and Javier’s first names combine to form their creator’s full name; they voice his consciousness. Marías’ rare gift is his ability to make this intellectual jousting as suspenseful as the chase scenes in a commercial thriller. He’s tremendously stimulating to read; arresting turns of phrase enfold piercing insights, such as an overbearing character’s “charming Nazi-green jacket” or the dark vision of “continuous, indivisible time…eternally snapping at our heels.” Though eschewing overt political commentary, the novel makes crystal clear the bitter contemporary relevance of someone who believes guilt can be evaded through “murder-by-delegation.”
Blindingly intelligent, engagingly accessible—it seems there’s nothing Marías can’t make fiction do. No wonder he’s perennially mentioned as a potential Nobel laureate.Pub Date: Aug. 15, 2013
ISBN: 978-0-307-96072-6
Page Count: 352
Publisher: Knopf
Review Posted Online: June 30, 2013
Kirkus Reviews Issue: July 15, 2013
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by Javier Marías ; translated by Margaret Jull Costa
BOOK REVIEW
by Javier Marías translated by Margaret Jull Costa
BOOK REVIEW
by Javier Marías ; translated by Margaret Jull Costa
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IN THE NEWS
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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