EMPIRE OF SELF

An intimate but unblinking look at Gore Vidal (1925-2012), the gifted essayist, playwright, novelist, and public personality, who, for a time, seemed ubiquitous in the popular culture.

Poet, novelist, and biographer Parini (English/Middlebury Coll.; Jesus: The Human Face of God, 2013, etc.) met his subject in the mid-1980s, and he begins his chronicle with that encounter. They became fast friends as well as professional colleagues, though Parini continually reminds readers of Vidal’s often difficult personality. Petty, jealous, judgmental, and imperious—all applied to him. But so do others, as the author ably shows: Vidal was generous, brilliant, assiduous, and innovative. Like many other fine artists, Vidal worked until he could no longer do so. Parini precedes each chapter with a vignette, a focused memory from his own experiences with Vidal. They range from amusing to deeply moving. Parini is a wise general biographer of a literary figure. He tells us about each of Vidal’s major works (and the major reviews thereof) but never in prose choked with jargon or self-importance. The goals are exposition and elucidation, and he achieves them gracefully. Like other critics, Parini believes Vidal’s essays surpassed his other work. We learn some quirky details about the writer, as well—his fascination with Billy the Kid (and, later, with Timothy McVeigh), his fondness for celebrities of all sorts, his discomfort with academics, and his rivalries with Norman Mailer (with whom he reconciled) and William F. Buckley Jr. (with whom he didn’t). There is also a lot about Vidal’s sexuality (he preferred anonymous sex with male partners) and his drinking problems. Finally, the author examines Vidal’s sad decline and death. Parini uses detail in agile, unobtrusive fashion—though he erroneously reports that John Brown was killed at Harpers Ferry (he was hanged later in Charles Town).

A superbly personal biography that pulsates with intelligence, scholarship, and heart.