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STILL MINE

Name: STILL MINE
Author: Jayne Pillemer
ISBN: 978-0-06-306277-1

by Jayne Pillemer ; illustrated by Sheryl Murray ‧ RELEASE DATE: Jan. 18, 2022

Tender and touching.

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A gentle reminder that those we love and lose can live in our hearts and memories.

Each page of Pillemer's debut tale of love and grief weaves a poignant thread by capturing moments in time between people who love one another: parent and child playing together in the morning, friends swinging outside, a grandparent and grandchild enjoying the rain. The gentle, poetic prose is bolstered by Murray's soft illustrations; muted colors depict a series of relationships frozen happily in time, days marked with happiness, camaraderie, and an absence of heartache. But as genre-savvy readers might be able to guess, tomorrow won't be as perfect. The second half of the book begins with a beautiful and heart-wrenching description of an abrupt loss: “But then you tiptoed by me / and hopped a ride on the breeze.” The grief of the children depicted in the book is conceptualized in terms of the shared moments that comprise the sweetness of the book’s first half. The loneliness of bereavement and the longing for those small moments are not belittled or glossed over even if the process of healing seems a bit rushed. Although carefully devoid of nominal spirituality, the message the story sends is clear: The lost loved one is still there, still theirs, living on in the memory of the love they shared. Characters are depicted as racially diverse. (This book was reviewed digitally.)

Tender and touching. (Picture book. 4-8)

Pub Date: Jan. 18, 2022

ISBN: 978-0-06-306277-1

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IMANI'S MOON

by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

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Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)