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SHADOWS IN DEATH

For readers who dream of hit men whose barks are worse than their bites.

The savage gutting of a wine-and-spirits heiress in Washington Square Park brings Lt. Eve Dallas up against a baleful killer with both eyes firmly fixed on her husband and his family.

Wine distributor Jorge Tween shows so little emotion over the death of Galla Modesto, the wife he obviously married for her family’s money, that Eve and her partner, Detective Delia Peabody, instantly conclude that he’s behind her death. Since his home-monitoring system gives him a cast-iron alibi, it would be clear that he hired a contractor even if Eve’s husband, Roarke, hadn’t recognized a balefully familiar figure first staring at him, then running from the crime scene. The hit man is Lorcan Cobbe, an enforcer for Roarke’s late mobster father back in Dublin who’s convinced that he’s Patrick Roarke’s illegitimate son and that the billions Roarke made before and after he walked away from crime to marry Eve ought to be his. “This is almost too easy,” says Peabody, and she’s absolutely right. Once Eve and Peabody, in the most predictably entertaining sequence of this installment, have extracted a confession from Tween, it’s all Cobbe, all the time. Although the presumed killer has been a suspect or a person of interest in no less than 443 murders, his obsession with destroying Roarke and his relatives seems to lead him to act as incautiously and amateurishly as his client, and with a lot less excuse. Even the final sequence, in which Eve and Roarke take down the allegedly indestructible Cobbe, then turn him loose so that the two ancient antagonists can duke it out with bare fists, is comically anticlimactic.

For readers who dream of hit men whose barks are worse than their bites.

Pub Date: Sept. 8, 2020

ISBN: 978-1-25-020723-4

Page Count: 368

Publisher: St. Martin's

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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NIGHTSHADE

As the prosecutor sadly observes: “All this because of a dead buffalo.”

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  • New York Times Bestseller

Idyllic Catalina Island turns out to be just as crime infested as the rest of Los Angeles County in the latest series launch by the creator of Harry Bosch, Renée Ballard, and the Lincoln Lawyer.

Det. Sgt. Stilwell has been bounced off the county homicide squad and rusticized to Catalina, where the exclusive Black Marlin Club won’t admit even four-term Avalon Mayor Doug Allen to full membership and the most serious infraction seems to be the killing and cutting up of a buffalo, presumably by Henry Gaston, who operates Island Mystery Tours when he’s not threatening endangered species. All that changes with the discovery of a body sunk in the surrounding waters. The corpse, most recognizable by its streak of purple hair, is that of Leigh-Anne Moss, a Black Marlin server recently fired for fraternizing with members and guests she sees as potential sugar daddies. Stilwell is sufficiently invested in her murder to compete vigorously over jurisdiction with Rex Ahearn, the LA County homicide detective who kept his job when Stilwell lost his. Their rivalry, fueled by mutual contempt, is only the first hint that Stilwell will end up fighting his counterparts in law enforcement and local government at least as hard as he fights crooks like hit man Merris Spivak and Oscar “Baby Head” Terranova, Henry’s boss, who comes under sharper scrutiny when Henry disappears and ends up dead himself. Connelly handles his hero’s obligatory romance with assistant harbormaster Tash Dano and his increasingly wary alliance with assistant D.A. Monika Juarez with equal professionalism, and if the wrap-up leaves some loose ends dangling, well, that’s what franchises are for.

As the prosecutor sadly observes: “All this because of a dead buffalo.”

Pub Date: May 20, 2025

ISBN: 9780316588485

Page Count: 352

Publisher: Little, Brown

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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