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CLIFF HANGER

A disappointing effort from this well-respected pair. Headstrong young Axel defies his father and faces down an impending storm and a challenging climb up what appears to be a sheer rock face to rescue his stranded little dog. So far, so good. Unfortunately, the tension of the text is not well reflected in the illustrations, in which characters resemble plastic action figures, with smooth, molded, pink legs, hands forever frozen in a semi-cupped position, and feet eternally encased in painted-on shoes. Perhaps the lightning-lit images are meant to evoke the stop-frame staccato of a violent storm, but the bone-dry condition of the climb, the fine, fluffy fur of the dog, and their sun-soaked descent on Cathedral Wall would seem to contradict this. Unlikely, too, is the inaction of Axel’s father, Dag, the leader of the Teton Mountains Climbing School and presumably an expert on the pleasures and perils of climbing. Why would an experienced, responsible climber and loving father allow his son to ignore his safe, alternative plan to reach the dog? No explanatory matter is offered to describe or depict the climbing equipment and terminology that figure large in following the storyline, and the illustrations do not make them obvious. With this team and this title, the reader anticipates fine, high adventure and painterly interpretations of environment. Despite its lightweight treatment of what could have been a compelling story, dog-lovers, weather-watchers, and budding adventurers may appreciate this additional purchase. (Picture book. 4-8)

Pub Date: May 1, 2002

ISBN: 0-06-000260-3

Page Count: 32

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2002

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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LITTLE BLUE BUNNY

A sweet, if oft-told, story.

A plush toy rabbit bonds with a boy and watches him grow into adulthood.

The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.

A sweet, if oft-told, story. (Picture book. 4-8)

Pub Date: Feb. 1, 2022

ISBN: 978-1-72825-448-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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