by Jean E. Pendziwol ; illustrated by Phil ‧ RELEASE DATE: Aug. 1, 2017
Evocative, lyrical, perfect.
Free-verse poetry full of sensory details, evocative language, and repetition pair with scratchy illustrations in the greens, browns, and blues of the natural world to capture a morning of fishing from a red canoe.
The first-person narrator and “you,” an unidentified child-adult pair, crawl out of the tent to a purple morning and mist on the water. The paddle dips “in and out, / in and out, / in and out.” They spy a moose, a beaver with a stick, and an eagle and its nest, and they hear the chittering of a squirrel. The sun comes up. All the while, the child has a line in the water: “You paddled. / We waited.” Though the text builds up to the landing of a trout, it doesn’t feel any more or less magical than the rest of the book, though the pace does increase to match the fight: “Then silver leapt from / water to sky, / soared from / sky to water / and landed with a splash / beside the red canoe.” The fish, fried in butter over the fire, is the “best breakfast / ever.” Pendziwol incorporates details for all five senses, inviting readers along. The verses and pictures are on facing pages, the former against a textured, painted-wood background, sometimes with a tiny supporting illustration. Illustrator Phil’s red canoe stands out against the nature scenes, though readers never spy its occupants up-close. Facial expression may be absent, but the emotion and wonder of this morning are marvelously clear.
Evocative, lyrical, perfect. (Picture book. 4-10)Pub Date: Aug. 1, 2017
ISBN: 978-1-55498-847-1
Page Count: 32
Publisher: Groundwood
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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