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BIG BLONDES

Big Blondes ($22.00; June 1997; 208 pp.; 1-56584-340-1): This noir-derived comic thriller (a close relation to such splendidly deranged predecessors as its author's Cherokee, 1987, and Lac, 1995) recounts a TV producer's elaborate pursuit of a fugitive pop singer, the glamorous and quite possibly dangerous Gloria Stella. It's a fast-paced chase across several continents, evidently inspired by the mercurial metafictions of Raymond Queneau (though the influence of Abbott and Costello also looms large), in which hired private eyes come to bad ends and the landscape is dotted with such surreal pleasures as a six-lane highway ``separated by a divider sown with comatose plants and bordered by tumescent guard rails.'' It's also, not at all incidentally, an arresting portrait of a much put-upon woman who has, simply, had enough. Adroit translator Polizzotti probably had as much fun rendering this blissful nonsense into English as Echenoz had writing it. Their enthusiasm is agreeably infectious.

Pub Date: June 1, 1997

ISBN: 1-56584-340-1

Page Count: 208

Publisher: The New Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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I WHO HAVE NEVER KNOWN MEN

I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').

Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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