Theo’s problems are both unusual and ordinary, as the only hearing child in a family otherwise deaf, and as the child of a parent who selfishly forgets who is the adult. Many oldest children may have the martyr syndrome going, but few with the resounding excuses of an artistically gifted deaf mother who relies on Theo for interpretation in her interactions with the world at large, a deaf brother who depends on Theo to be a parent, and a deaf father who quietly fills in the gaps, but refuses to rein in his wife. Flashy and gorgeous Ivy shows up at the bus stop and catches Theo signing swear words to himself. As the two discover elements in common and romance commences, they also find themselves unwilling to accept the other’s point of view about past and future choices. His father’s stroke heightens the pressure on Theo, forcing him to confront his own role. Ferris indicates speaking in sign with a boldface type and translates into English grammar to smooth the reader’s way. Great sensitivity is shown to the deaf culture and yet Theo’s position as the hearing one in his family is seen ultimately as both burden and gift. The core issue explored is the strain on a child whose parent is unwilling to parent, with deafness exacerbating the situation. Ivy’s hearing mother has abandoned her to her deaf father, and so there is a contrast in circumstances and personality that provides conflict in addition to the events that unfold. Told from Theo’s point of view, there is an unusual psychological richness that intrigues and keeps the somewhat stock characters from falling completely into cliché. A quiet story that resonates. (Fiction. 12+)
Pub Date: Sept. 24, 2001
ISBN: 0-374-35580-0
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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