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THE DOUBLE LIFE OF POCAHONTAS

What, one might wonder, does Fritz see in the hackneyed subject of Pocahontas? As the title suggests (and the text handles delicately): a young girl who believed herself bound to John Smith by Powhatan's adoption of him, and so also felt herself part of his Jamestown world. There is conjecture here, but Fritz faces it squarely—citing Pocahontas' young age (probably eleven) when she acted as his "sponsor," noting that Smith would have had every reason to humor her. Slipping back and forth from Pocahontas' and Powhatan's perspective to Smith's, and portraying Powhatan as Smith's equal in guile, Fritz also suggests that Pocahontas' intervention might have been prearranged: an intriguing thought. Much later, after John Smith's departure, when the English are killing wantonly and Powhatan is beleaguered, Pocahontas is captured and Powhatan replies to ransom demands with a pretext she scorns no less than the English. "Seven broken muskets! Was that all she was worth? She knew her father loved his guns, but did he love them more than he did her?" And then, ringing in the charming, plaintive phrase Pocahontas learned as a girl from the English, Fritz has her lament: "Did he mean to let her stay here forever, always walking with small steps, speaking the sharp English speech like twigs snapping. Love you not me? Love you not me?" So she gives in, accepts Christianity, and marries John Rolfe—who had "decided it was God's will." (In parentheses: "He had already found out that it was Pocahontas' will too.") Buoyant and affecting.

Pub Date: Oct. 28, 1983

ISBN: 0399210164

Page Count: 104

Publisher: Putnam

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Sept. 1, 1983

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HOW TO WRITE A STORY

A lovely encouragement to young writers to persist.

This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.

A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.

A lovely encouragement to young writers to persist. (Informational picture book. 6-10)

Pub Date: July 7, 2020

ISBN: 978-1-4521-5666-8

Page Count: 36

Publisher: Chronicle Books

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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PROFESSOR ASTRO CAT'S SPACE ROCKETS

From the Professor Astro Cat series

Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit.

The bubble-helmeted feline explains what rockets do and the role they have played in sending people (and animals) into space.

Addressing a somewhat younger audience than in previous outings (Professor Astro Cat’s Frontiers of Space, 2013, etc.), Astro Cat dispenses with all but a light shower of “factoroids” to describe how rockets work. A highly selective “History of Space Travel” follows—beginning with a crew of fruit flies sent aloft in 1947, later the dog Laika (her dismal fate left unmentioned), and the human Yuri Gagarin. Then it’s on to Apollo 11 in 1969; the space shuttles Discovery, Columbia, and Challenger (the fates of the latter two likewise elided); the promise of NASA’s next-gen Orion and the Space Launch System; and finally vague closing references to other rockets in the works for local tourism and, eventually, interstellar travel. In the illustrations the spacesuited professor, joined by a mouse and cat in similar dress, do little except float in space and point at things. Still, the art has a stylish retro look, and portraits of Sally Ride and Guion Bluford diversify an otherwise all-white, all-male astronaut corps posing heroically or riding blocky, geometric spacecraft across starry reaches.

Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit. (glossary) (Informational picture book. 6-8)

Pub Date: Sept. 4, 2018

ISBN: 978-1-911171-55-3

Page Count: 32

Publisher: Flying Eye Books

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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