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THE CRIMINAL CHILD

AND OTHER ESSAYS

For fans.

Literary odds and ends from the controversial French writer.

This brief collection of eight essays by Genet (1910-1986) were written from 1949 to 1958. All are deeply infused with his sexuality, philosophy, and bizarre, metaphysical writing style. In a footnote to one of them, he writes, “with my cold chisel, words, detached from language, neat blocks, are also tombs.” The titular essay, from 1948, was originally written for radio broadcast but was never recorded. Genet was then facing a prison term, and the station wanted to avoid a scandal that his “deliberately provocative rhetoric” would have caused. Drawing on his experiences as a criminal child incarcerated in Mettray, a correctional facility, Genet proclaims his “love for these ruthless little kids” and his disdain for the society that punishes them: “I want to insult yet again the insulters.” “Adame Miroir” is a short, surrealist ballet/screenplay “for the Grand-Guignol.” In “Letter to Lenor Fini,” Genet writes to a female painter with whom he worked. In a style exuberant in image and metaphor, he describes works “voluptuous and sprinkled with arsenic.” They “seem to me comparable to the complex architecture of swamp odors.” And that is a compliment! An admiring piece on Jean Cocteau praises the “goodness” of his heart. His work “lets anguish be discovered in the fissures.” A lengthy, dazzling piece on Alberto Giacometti, which is part interview and part critique, reads like a magazine profile. In his work, Genet sees “sculptures standing up in their bones” with a “strange power to penetrate that realm of death.” The final piece, sensitive and erotic, is “The Tightrope Walker,” about Abdallah Bentaga, whom Genet was emotionally attached to. The author waxes lovingly euphoric about the performer’s artistry on the wire and the “bulge accentuated in your bodysuit, where your balls are enclosed.” An introduction with biographical and historical contexts would have been helpful.

For fans.

Pub Date: Dec. 17, 2019

ISBN: 978-1-68137-361-4

Page Count: 144

Publisher: New York Review Books

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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