by Jean Genet & translated by Charlotte Mandell ; Jeffrey Zuckerman ‧ RELEASE DATE: Dec. 17, 2019
For fans.
Literary odds and ends from the controversial French writer.
This brief collection of eight essays by Genet (1910-1986) were written from 1949 to 1958. All are deeply infused with his sexuality, philosophy, and bizarre, metaphysical writing style. In a footnote to one of them, he writes, “with my cold chisel, words, detached from language, neat blocks, are also tombs.” The titular essay, from 1948, was originally written for radio broadcast but was never recorded. Genet was then facing a prison term, and the station wanted to avoid a scandal that his “deliberately provocative rhetoric” would have caused. Drawing on his experiences as a criminal child incarcerated in Mettray, a correctional facility, Genet proclaims his “love for these ruthless little kids” and his disdain for the society that punishes them: “I want to insult yet again the insulters.” “Adame Miroir” is a short, surrealist ballet/screenplay “for the Grand-Guignol.” In “Letter to Lenor Fini,” Genet writes to a female painter with whom he worked. In a style exuberant in image and metaphor, he describes works “voluptuous and sprinkled with arsenic.” They “seem to me comparable to the complex architecture of swamp odors.” And that is a compliment! An admiring piece on Jean Cocteau praises the “goodness” of his heart. His work “lets anguish be discovered in the fissures.” A lengthy, dazzling piece on Alberto Giacometti, which is part interview and part critique, reads like a magazine profile. In his work, Genet sees “sculptures standing up in their bones” with a “strange power to penetrate that realm of death.” The final piece, sensitive and erotic, is “The Tightrope Walker,” about Abdallah Bentaga, whom Genet was emotionally attached to. The author waxes lovingly euphoric about the performer’s artistry on the wire and the “bulge accentuated in your bodysuit, where your balls are enclosed.” An introduction with biographical and historical contexts would have been helpful.
For fans.Pub Date: Dec. 17, 2019
ISBN: 978-1-68137-361-4
Page Count: 144
Publisher: New York Review Books
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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BOOK REVIEW
by Jean Genet
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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