by Jean Mills ‧ RELEASE DATE: Sept. 30, 2018
Different and moving
Music and hockey are clumsily juxtaposed in an otherwise promising novel.
While she is a piano prodigy, French-Canadian Imogen St. Pierre is also sensitive to noise, to crowds, to social interactions with strangers. Although she loves performing in a trio with Papa and Père, her father and grandfather, the schmoozing and networking leave the 18-year-old Imogen silent and exhausted. During her final year of high school, surrounded by equally privileged and talented students, Imogen tries to decide what will make her happy in what’s predicted to be a glittering future. Does it mean joining an up-and-coming concert music ensemble or going to university? Or is it spending time with the people she loves, her family and her friends? Imogen develops a new friendship with fellow introvert Nathan McCormick, a talented hockey player who has been suspended from playing. Nathan not only allows Imogen to discover what will make her happy, but gives her the strength to fight for her happiness. Although both Imogen and Nathan are prodigies, it is their personalities, not their talents, which connect them. This quiet novel follows Imogen’s slow growth without resorting to loud emotional outbursts or jarring strife, and the relationship between Nathan and Imogen is more friendship than romance. Imogen and Nathan are white; while their school has many international students, all are seemingly white.
Different and moving . (Fiction. 14-18)Pub Date: Sept. 30, 2018
ISBN: 978-0-88995-561-5
Page Count: 301
Publisher: Red Deer Press
Review Posted Online: June 23, 2018
Kirkus Reviews Issue: July 15, 2018
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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