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QUIET MOMENTS IN A WAR

THE LETTERS OF JEAN-PAUL SARTRE TO SIMONE DE BEAUVOIR, 1940-1963

A sequel to Witness to My Life (1992), which collected Sartre's letters to Simone de Beauvoir from 1926 to 1939. Most of those collected here were written in 1940, when Sartre was in the military and then in prison camp. Sartre writes, sometimes twice a day, mostly about waiting: for letters (his constant complaint), information, money, leave, action—and books, noting the absurdity of a soldier requesting Shakespeare in the battle zone: "It reeks of espionage." Many letters concern his feelings, his flirtations, and his affair with ``Tania''—a classy "slut" Sartre offers to marry even though it's "Beaver" (his pet name for Beauvoir) whom, in spite of her predilection for women, he considers his soulmate. Ten years into his creative relationship with Beauvoir, Sartre admits to being "disgusted" with himself—for his promiscuity and "obscene" sexuality—and solicits her advice. But however she inspires him, he addresses her in the common language of an adolescent crush, always in the diminutive, "little" this and "little" that, even "little paragon." It's in this period of discipline, confinement, and boredom, however, that Sartre produces his greatest works— Being and Nothingness, No Exit, and The Age of Reason—philosophy, fiction, and drama dedicated to the absurdity of life, as well as to the necessity for freedom and for making choices. The letters slow down when Sartre returns to Occupied Paris and reunites with Beauvoir, and they stop in 1963 because, as Beauvoir explains in a footnote, after that year, in order to communicate with each other, the two always used the telephone. Without Beauvoir's responses, the letters reveal the trivial and commonplace preoccupations of even the most heroic of intellects in the most trying of times.

Pub Date: Nov. 2, 1993

ISBN: 0-684-19566-6

Page Count: 212

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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