Ever so slightly redundant and attenuated, but most readers will be charmed nonetheless. Very entertaining indeed.
In a wry 1997 novel, his fourth in English translation, clever Belgian author Toussaint (Making Love, 2004, etc.) tackles the omnipresence of television in contemporary culture.
The unnamed narrator is an art historian working in Berlin while his pregnant partner Delon and his young son enjoy an Italian vacation. He’s studying “the relations between political power and the arts in sixteenth-century Italy,” specifically, the balance of power as embodied in the relationship between Renaissance master Titian Vecellio and Emperor Charles V, his patron and portrait subject. The narrator’s days are taken up with researching Titian, wandering about Berlin, swimming at public pools, and—at first haphazardly, later compulsively—watching television. Toussaint gradually paints an endearingly funny portrait of a mildly obsessive introvert (a Gallic Walter Mitty, if you will) who’s “paralyzed” by interruptions to his good intentions. Upstairs neighbors in his apartment building enlist him to water their jungle of houseplants while they’re away, and his benign botanical neglect provokes a hilarious, Chaplinesque scene upon their return. His friendship with a bohemian scholar-translator involves him in several inconvenient brief encounters, including a visit to a family absorbed in viewing Baywatch that gives the narrator the distinct impression that all of Berlin is so occupied. Meanwhile, Toussaint’s pleasingly loose plot assails our hero with mounting evidence that TV infiltrates his every waking moment. (Note, as he does, his subject Titian’s initials.) The decision to stop watching altogether severely tests his inner resources, and even his nearest and dearest innocently reinforce TV’s hold on him: When Delon and his son return from vacation, they bring him a VCR as a present. The story ends quite wonderfully with a moment of subdued resignation that’s perhaps best described as an anti-visionary experience.
Ever so slightly redundant and attenuated, but most readers will be charmed nonetheless. Very entertaining indeed.Pub Date: Nov. 16, 2004
ISBN: 1-56478-372-3
Page Count: 168
Publisher: Dalkey Archive
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2004
BOOK REVIEW
BOOK REVIEW
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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