Ever so slightly redundant and attenuated, but most readers will be charmed nonetheless. Very entertaining indeed.
In a wry 1997 novel, his fourth in English translation, clever Belgian author Toussaint (Making Love, 2004, etc.) tackles the omnipresence of television in contemporary culture.
The unnamed narrator is an art historian working in Berlin while his pregnant partner Delon and his young son enjoy an Italian vacation. He’s studying “the relations between political power and the arts in sixteenth-century Italy,” specifically, the balance of power as embodied in the relationship between Renaissance master Titian Vecellio and Emperor Charles V, his patron and portrait subject. The narrator’s days are taken up with researching Titian, wandering about Berlin, swimming at public pools, and—at first haphazardly, later compulsively—watching television. Toussaint gradually paints an endearingly funny portrait of a mildly obsessive introvert (a Gallic Walter Mitty, if you will) who’s “paralyzed” by interruptions to his good intentions. Upstairs neighbors in his apartment building enlist him to water their jungle of houseplants while they’re away, and his benign botanical neglect provokes a hilarious, Chaplinesque scene upon their return. His friendship with a bohemian scholar-translator involves him in several inconvenient brief encounters, including a visit to a family absorbed in viewing Baywatch that gives the narrator the distinct impression that all of Berlin is so occupied. Meanwhile, Toussaint’s pleasingly loose plot assails our hero with mounting evidence that TV infiltrates his every waking moment. (Note, as he does, his subject Titian’s initials.) The decision to stop watching altogether severely tests his inner resources, and even his nearest and dearest innocently reinforce TV’s hold on him: When Delon and his son return from vacation, they bring him a VCR as a present. The story ends quite wonderfully with a moment of subdued resignation that’s perhaps best described as an anti-visionary experience.
Ever so slightly redundant and attenuated, but most readers will be charmed nonetheless. Very entertaining indeed.Pub Date: Nov. 16, 2004
ISBN: 1-56478-372-3
Page Count: 168
Publisher: Dalkey Archive
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2004
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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