by Jean Reidy ; illustrated by Leo Timmers ‧ RELEASE DATE: March 5, 2013
Neatly encapsulates the three-ring circus that is a little tyke’s world and gives children an opportunity to practice all...
Richard Scarry has some competition in this effort, which follows a toddler-age bunny and his mother around town on their errands.
Filled with verbs that end in –ing, the rhythmic verses form a nice cadence and challenge readers to spot the characters that are performing each action. “Pancakes flipping. / Cutting, clipping. / Tossing, fetching, / bending, stretching. // Brushing, shaving. / Good-bye waving— / my town in the morn.” The bunny, usually in his pram, and his mother are easy to spot on each page as they watch the kids in the schoolyard, stare pop-eyed at the rescue vehicles converging to put out a burning sausage, mail a letter, visit a hospital patient, read a book outside the library and take the bus, among other things. Once they get home, in a scene reminiscent of Kevin Lewis and Daniel Kirk’s Chugga-Chugga Choo-Choo (1999), the living room floor displays a very familiar scene. The acrylic illustrations are bright and busy, full of details to spot, animals to identify and things to find and count. Similar animal characters to Timmers’ Who is Driving? (2007) populate this outing, their huge eyes dominating their giant heads, while tiny legs protrude from below stylish outfits, all adding to their charming appeal.
Neatly encapsulates the three-ring circus that is a little tyke’s world and gives children an opportunity to practice all kinds of skills. (Picture book. 1-5)Pub Date: March 5, 2013
ISBN: 978-1-59990-785-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Laura Deal ; illustrated by Tamara Campeau ‧ RELEASE DATE: Oct. 1, 2019
A tender bedtime tale set in a too-seldom-seen northern world.
A quiet book for putting young children to bed in a state of snowy wonder.
The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.
A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-77227-238-3
Page Count: 36
Publisher: Inhabit Media
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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