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THE UNMARKED GIRL

From the YaraStar Trilogy series , Vol. 1

An engrossing SF/fantasy that breathes new life into old tropes.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2019

A debut YA novel sees a teen girl fight for acceptance in a world of ingrained prejudice.

The planet Mira is home to two races—the sun-dwelling Photaks and the light-averse Skotads. Sixteen-year-old Yara is a Photak, but unlike the rest of her tribe, she has no birth markings. She was found as a baby in the Greens, a shadowy realm where no Photak can remain long without falling to Light Blindness. Yara can live in the light so she cannot be a Skotad. Yet she can never be a true Photak either. Taken reluctantly into the tribe, she has remained an outsider to be shunned, feared, and despised. Her adoptive parents love her, as do the younger children, but apart from them, only Kristos, the Chief’s son, truly accepts her. Yara is training to be a warrior with Kristos. Driven by the need to prove herself, she has become second to none in both the Photak fighting techniques and her own secretly developed style that is “notoriously difficult to predict” (“The offbeat moves came with their own rhythm, and from an outsider’s perspective, it looked like a dangerous, deadly dance”). On the Day of the Calling, Yara is chosen from all of the graduating trainees to defend the tribe in a ritual combat known as the inner fight. It’s her proudest moment, yet even in victory she faces disaster. For, unbeknown to Yara, her secret style mirrors that of the Skotads. Suddenly all of the tribe’s doubts come flooding back. With even Kristos now having second thoughts about her, Yara flees into the Greens—and meets a Skotad hunter who makes her question everything she’s been taught to believe. Frontin writes in the third person, mostly from Yara’s point of view, and quickly constructs an effortless blend of SF scenario, social allegory, and YA coming-of-age adventure. The prose is simple but effective, and the dialogue functional (although some of the monologues are a bit strained). But it is through characterization that the story soars. The plot spirals upward through broadly predictable yet still personal and distinctive patterns on the back of its character moments. As the first installment of a trilogy, the book lacks closure. Nevertheless, Frontin establishes Yara as a protagonist to follow and herself as an author to watch.

An engrossing SF/fantasy that breathes new life into old tropes.

Pub Date: June 29, 2018

ISBN: 978-976-8255-76-1

Page Count: 320

Publisher: Mark Made Group

Review Posted Online: Sept. 19, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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