Winterson somehow manages to make ghosts boring.
Speculative stories and essays about what comes after death—and after reality as we understand it now.
Winterson’s last novel, Frankisstein (2019), demonstrated that she has a sincere appreciation for horror and science fiction and understands how these fantastic genres create a space in which we can ask big questions. In 12 Bytes (2021), she shared her thoughts about how technology, from Ada Lovelace’s protean computer programs to Artificial General Intelligence, changes not just how we experience the world but also how we comprehend ourselves. In this collection, she presents modern ghost stories alongside essays about what ghosts have meant to us historically and how they might manifest in a post-human future. Regrettably, it feels like a step backward for her, though the essays might be compelling to readers who have never given much thought to the concept of an afterlife or technological change. “Religion can be considered as humankind’s first disruptive start-up—what’s being disrupted is death” is a creaky attempt to apply contemporary jargon to prehistory, followed by a lot of spurious theology. But even if we assume that most readers are here for the stories, this collection has very little to offer anyone familiar with the last 200 years of ghost stories written in English. Winterson adds flourishes like virtual reality gear, and in one story, she suggests that we might live on as digital avatars. Even as she’s riffing on a long tradition of spooky tales, she writes as if she doesn’t understand how they work and why they endure. For one thing, most of these stories seem to lack purpose. Even though Winterson’s subjects are life and death, there seldom seems to be much at stake here. More significant, though, is that the menacing specter who appears in “A Fur Coat” and “Boots” is the only truly frightening phenomenon in the whole book. There are, however, some poetically chilling lines here and there, such as, “Maybe that’s what haunting is: time trapped in the wrong place.”
Winterson somehow manages to make ghosts boring.Pub Date: Oct. 24, 2023
ISBN: 9780802161512
Page Count: 306
Publisher: Grove
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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