This threatens at first to be a one-joke story, but gradually the people become more real, the writing more honest. When it...
A professional, city-living woman up and moves herself and boyfriend to a farm, where everything is way different from what she’s used to. Eventually, she and boyfriend find true happiness. It really happened, she says. The End.
Washington Post Magazine columnist Laskas expanded this tale from a series of articles, although readers might guess that without being told. Writers of humorous articles, like stand-up comics, often aim for the quick laugh, one that cannot be too closely examined. For instance, early on, Laskas wants to illustrate how doggone unsophisticated folks are in Scenery Hill, as compared to Pittsburgh. Her example: in Scenery Hill, a whole bunch of the men she meets have the same first name—Joe. Some of them even have the same last name. (In those cases, they’re usually father and son, but hey, those country folk are something, aren’t they?) Thankfully, those same people eventually acquire a third dimension, and so does Laskas’s story. Amid its description of tractors and animals, it’s a love story, starring Laskas and a fiancé who appears to be the perfect man. He is understanding and cooperative with everyone. (Well, he’s a shrink.) There’s a running joke about his poodle: whenever one of their neighbors expresses astonishment that he owns one, he or Laskas says something like, “It’s a standard poodle, not the little yappy kind.” A similar defense can be made for Laskas’s whole story: in the long run, it’s substantial, not merely a collection of one-liners. In fact it explores such substantive issues as how our childhoods influence our adult lives and the different ways we each—country or city—face love, work, illness, and death.
This threatens at first to be a one-joke story, but gradually the people become more real, the writing more honest. When it stops going for the laughs, it gets them anyway, along with a whole passel of genuine emotions.Pub Date: Oct. 10, 2000
ISBN: 0-553-10904-9
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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