“I don’t know me either. Not any more.” Nothing is the way Mick Spicer thought it was. His father Harry Spicer is really his stepfather. His sister Eileen, whom he believed had been sold to the rag-and-bone man, is really buried in the nearby cemetery, having died of pneumonia when six months old. His mother is not in the hospital having a baby; she’s in prison for theft. And his name’s not Mick Spicer; it’s Mick Stokes. Having been shifted from place to place, left alone or left with friends and relatives, Mick Stokes has been desperately poor and lonely, an invisible child whose whole short life has been one of mistaken identity. He says early in the story, “I was trying to make a world. I don’t know what out of, but whatever it was, I was making it wrong.” It’s as if Mick had some of the pieces of a jigsaw puzzle, but not all of the pieces or not the right pieces, or perhaps the wrong puzzle. Mick’s first-person narrative is nicely drawn, from the confused, disjointed narrative of a lonely little boy to mid-story, when Mick is surprised to find out who he is—and isn’t. By the end, having come full-circle, Mick’s voice gets stronger as he gets older and more capable of making his world. If he doesn’t quite find himself, he does find his voice, and his resolve to not be beaten in life. The narrative voice is a challenge and the subject matter is grim, but patient, older readers will find a good story and some measure of truth. (Fiction. YA)
Pub Date: May 1, 2001
ISBN: 0-8050-7079-6
Page Count: 272
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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