by Jeanne Willis & illustrated by Tony Ross ‧ RELEASE DATE: Oct. 1, 2000
Most schoolchildren in the primary grades study lifecycles in science class, often focusing on frogs to observe their dramatic metamorphosis. This droll picture book by Willis (author of the Dr. Xargle series) follows several different species as each young’un questions a parent about his or her looks as a baby, from the little boy on the cover through a baboon, hippopotamus, leopard, ostrich, hyena, warthog, and chameleon. All the parents answer that their babies looked like smaller versions of Mom and Dad, with most of the answers including a delicious pun relating to that particular animal’s looks or attributes. (The hyena mommy replies that her baby “looked just like your dad and we laughed and laughed!”) Of course, the little bullfrog is another story entirely, and at first he is horrified by the baby pictures his mother shows him. In disbelief, he vows “never to trust his mother again,” until he hears his brothers and sisters singing a clever song detailing the frog lifecycle and realizes that all frogs must go through the same stages of development. The words to the song are included in the text, and can be sung to an original tune (music appended) or to a traditional folk tune. The amusing full-color illustrations by Ross (illustrator of the Amber Brown and Dr. Xargle series) are a delight, with sly additions of humor, such as the young ostrich wearing her mom’s green high heels and the mother snake putting on her lipstick in the reflection of a pond. A fine choice for a frog-themed story time or for integrating a satisfying read-aloud into science class. (Picture book. 4-8)
Pub Date: Oct. 1, 2000
ISBN: 0-399-23595-7
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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