A few clogs in the digital plumbing away from a wrap.
Sound effects and animated wriggles squeeze out laffs from this unabashed exercise in toilet humor, but the software coding and design is a major update short of release-ready.
Published in print on this side of the pond in 2007 as Who’s in the Bathroom? but reverting to its British title for the app version, the episode uses the same art and rhymed text to roll out an extended series of speculations about who is holding up the line outside an outdoor restroom: “Is it a tiger who needed a tiddle? / A wandering wombat who wanted a widdle? / A waddling penguin too frozen to piddle?” Each watercolor scene features one or more creatures who groan, strain, emit a noxious-looking cloud (in the case of a “rhino who had a hot curry”) or gesture suggestively, and a toilet in (thankfully) side view that flushes with a tap. Readers can opt for silent mode, self-record or, albeit with a very slow auto-advance, a narrator who delivers the lines with indecent relish. But even in silent mode the text appears piecemeal on many screens, and only temporarily at that, with repeated manual swipes required to bring the next line into view. Pulling a chain on the title page produces not only loud flushing, but two side activities: a select set of coloring pages and a more promising multiple-choice fill-in-the-rhyming-word iteration of the story that, unfortunately, crashes the app after the first few screens.
A few clogs in the digital plumbing away from a wrap. (iPad storybook app. 4-8)Pub Date: June 8, 2012
ISBN: N/A
Page Count: -
Publisher: Robot Media
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
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