A Vietnam memoir with zero punches pulled, related by one of the most incisive observers of the American political scene.
Acclaimed political cartoonist Danziger looks back at his year in Vietnam, somehow managing to convey difficult truths without completely depressing readers.
Drafted shortly after graduating college in 1968, Danziger believed (as many did) that the war was in its final stages. He reported to Fort Dix hoping the worst would be over before he could be sent overseas. He offers detailed, often amusing accounts of the ill-focused basic training, which was “phenomenally stupid, left over from World War II and ha[d] nothing to do with conditions in Southeast Asia. It was this side of mad.” Seeking ways to further delay deployment, he entered language school to learn Vietnamese, assuming he would then be stationed far from combat zones, interpreting intercepted signals from the field. But the instruction was perfunctory at best, and after acceptance to officer training—another ploy to postpone deployment—Danziger was sent for ordnance training, and his language skills eroded quickly. Then he was deployed to Vietnam, where he was one of many junior officers with inadequate training and no enthusiasm for the missions. The author’s account of his year “in-country” is consistently candid about the futility of the war, and he makes little effort to portray his own role as anything but ineffectual. The book’s title plays on the Vietnamese’s attempts to pronounce his name. Looking back, as if trying to explain the era to a younger audience, he tries to provide perspective. Subsequent history shows that America learned nothing from Vietnam, he writes; the country has entered one unwinnable war after another, with few moments of success and thousands of lives lost. Unsettling as these truths may be, Danziger’s compelling presentation of his experience makes the book a must-read war memoir. The author aptly opens his trenchant book with an epigraph from Joseph Heller.
A Vietnam memoir with zero punches pulled, related by one of the most incisive observers of the American political scene.Pub Date: July 6, 2021
ISBN: 978-1-58642-273-8
Page Count: 208
Publisher: Steerforth
Review Posted Online: May 3, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
PERSPECTIVES
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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