by Jeff Edwards ‧ RELEASE DATE: May 26, 2006
Suspension of disbelief will reward readers with an engrossing tale of cutting-edge naval warfare.
The U.S. Navy squares off against high-tech German submarines in this implausible but exciting thriller.
After Germany shuts down its nuclear power plants, they send four super-advanced diesel submarines to Arab rogue state Siraj in exchange for discount oil. En route, however, the subs attack blockading British and American warships. Matching the Germans blunder for blunder, President Francis “Frank” Chandler refuses to swamp the flotilla with American naval might, instead ordering four surface ships to meet the subs on equal terms in a duel of honor. This contrived scenario sets up a fair fight in which American pluck, improvisation and democratic spirit, rather than overwhelming firepower, defeat German cunning and fuhrerprinzip. Led by Captain Jim Bowie of the destroyer USS Towers and Chief Theresa McPherson–a lowly petty officer but an anti-submarine warfare genius–the Yanks match wits with wily U-boat ace Stefan Gröeler, who knows all their tricks from NATO tactical manuals. It’s a nerve-wracking battle of ruse and counter-ruse and explosive ambush, mediated by advanced computers and sensors. Edwards, a retired Navy Chief and Anti-Submarine Warfare Specialist, steeps the story in realistic and endlessly detailed military procedures, weapons-specs and, above all, jargon. Connoisseurs will savor the clipped, Tom Clancy-esque lyricism of the dialogue–“ ‘TAO-EW, Bogies just lit up their Fire Control Radars!’ ”–but even casual readers will be able to discern the cut and thrust of combat. The narrative’s geopolitics become overly complicated, and the German antagonists are too seldom heard from (perhaps so they can’t ask each other why they continue on their absurd mission), but Edwards keeps the pacing brisk and the action taut.
Suspension of disbelief will reward readers with an engrossing tale of cutting-edge naval warfare.Pub Date: May 26, 2006
ISBN: 1-58348-465-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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BOOK REVIEW
by Andrea L. Rogers ; illustrated by Jeff Edwards
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
Likes
36
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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