Anyone who has ever had a family or a computer can relate to Goodell’s story.
Techie journalist Goodell (The Cyberthief and the Samurai, not reviewed) presents a touching family portrait as well as an acute look at the social implications of the information age.
Goodell’s story (named for his bright California hometown) opens in 1979, when, after 21 years of marriage, Goodell’s mother tells her children that she and their father are getting divorced. This was no crisis to Goodell, who recalls thinking that “divorce felt more like a step into the modern world than the breaking of a sacred covenant.” But the split proves to be the first of many dark clouds in his family’s future, and Goodell is much more of a family guy than this initial reaction suggests. He documents and tries to reason with the slow breakdown of a family he loves dearly—a grandfather who valued engineering over family, a father destroyed by divorce, a mother who learns computer code and remarries, a brother ravaged by drugs and alcohol, and a sister struggling amidst the confusion. Goodell also speaks sincerely of his own rebellions, passions, and adventures—and of his love-hate relationship with technology. He races bikes, works a short stint at a company known by the “funny name” of Apple Computer, leaves home to work in a Lake Tahoe casino, discovers love and journalism, and continually worries about his family. Founded on family history and set in the accelerating world of Silicon Valley, Goodell’s story is linked meaningfully to the past and the future in his attempt to explain addiction, disease, desire, jealousy, and regret by finding “the faulty line of code that causes the whole system to crash.” And, in trying (unsuccessfully) to explain it all through scientific logic, he proves that love is not a quantifiable entity.
Anyone who has ever had a family or a computer can relate to Goodell’s story.Pub Date: July 17, 2000
ISBN: 0-679-45698-8
Page Count: 288
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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