An inspiring profile warmed by its (not undeserved) sentimental glow.
A loving tribute to grassroots activist John van Hengel, said to be the founder of the first food bank.
Van Hengel (1923-2005), who knew “the mind-numbing ache of hunger” from experience, found his vocation when, as a cook for his Arizona church’s soup kitchen, he discovered that grocery stores were discarding masses of useable stock. His gift was plainly an ability to think big; in 1967 he founded St. Mary’s Food Bank, which distributed 125 tons of donated food its first year. That led to Second Harvest (now called Feeding America). Van Hengel proved able to handle windfalls ranging from 5,000 live chickens to a million chocolate Easter bunnies—and he went on to help found more food banks around the world. Gottesfeld characterizes his subject’s early life as a “riches-to-rags” story, but he skips the causes of that descent and other specifics to focus on van Hengel’s achievements, faith, and humility before closing with a sentimental anecdote about a first grader who shook the then-old man’s “trembling hand,” saying, “You did good.” He did indeed. In the same idealized vein, Agatha arranges cast-out food in a dumpster with fussy precision, lays down chickens and chocolate bunnies in tidy rows, and depicts the joyful, plainly dressed White man joining racially diverse people standing in a food line, hauling bags and boxes, or gathered at tables. (This book was reviewed digitally.)
An inspiring profile warmed by its (not undeserved) sentimental glow. (author’s note, note on research and dialogue, timeline) (Picture-book biography. 6-8)Pub Date: May 2, 2023
ISBN: 9781954354241
Page Count: 32
Publisher: Creston
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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