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GLORIOUS

This first of a trilogy is more L’Amour entertainment than Lonesome Dove epic, but it’s good fun nonetheless.

The Wild West comes alive in this novel of prospectors, desolate cavalry posts, rotgut saloons and Apache raiders.

Cash McLendon is an orphaned street urchin in pre–Civil War St. Louis who catches the eye of a local robber baron, Rupert Douglass, who puts him to work as spy, fixer and bagman. The opportunistic Cash does the job expertly, so Douglass, intent on preserving his empire, offers his mentally unstable daughter, Ellen, to Cash in marriage. Cash takes the Faustian bargain in spite of his love for Gabrielle Tirrito, an immigrant Italian storekeeper’s daughter, but Douglass decides to insure the contract by driving the Tirritos from St. Louis. Shortly after the marriage, Ellen commits suicide. Cash, fearing Douglass’ retribution, flees St. Louis for the silver mining camp of Glorious, Ariz., where the Tirritos established another store. Seeking redemption, Cash remains in the mining camp even after Gabrielle rejects him. Gabrielle comes across as too saintly, and Cash would need to grow more to be a sympathetic protagonist, but other characters—mainly the townspeople—are realistically drawn, right down to the mayor’s plump wife who eats jelly by the jar. Seeking revenge, Douglass dispatches a 19th-century Terminator type, Patrick Brautigan, who arrives in Glorious to clamp "a meaty hand on [Cash's] shoulder, his thick fingers crushing McLendon’s collarbone." Guinn knows hot, windy, dusty frontier Arizona, from the rattlesnakes of Picket Post Mountain to the ragtag raiding Apache; poorly equipped, understaffed Army troopers charged with riding the land of the marauders; and the rough-hewn prospectors who retreat to adobe saloons featuring warm beer, rotgut whiskey and worn-out women. Although slow to kick into high gear, the plot is classic, with Cash fleeing the St. Louis frying pan only to fall face first into the fiery machinations of another rich rogue—a rancher who wants to control Glorious and siphon off its riches. 

This first of a trilogy is more L’Amour entertainment than Lonesome Dove epic, but it’s good fun nonetheless.

Pub Date: May 20, 2014

ISBN: 978-0-399-16541-2

Page Count: 416

Publisher: Putnam

Review Posted Online: March 19, 2014

Kirkus Reviews Issue: April 1, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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